Hi Subscriber,
In 1908, Emil Carlsen was a well-respected artist and a popular art
teacher at the National Academy of Design and guest lecturer at the
Pennsylvania Academy of Fine Arts. His experience as a teacher and his
deep love of painting are clear in the article he wrote for the October
1908 edition of the artist's journal Palette and Bench. His article,
"On Still-Life Painting" is a must read for any student of the art of
still life.
Enjoy today's selection,
BoldBrush Studio Team
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Emil Carlsen, Still Life, oil on canvas, 1920
Emil Carlsen, Still Life, oil on canvas, 1920
Emil Carlsen on Still Life Painting
The quiet affection that he puts into his painting is clear: "The love
of the study will grow; if the selection is well made, the delight over
every small obstacle removed not to return in the same manner again,
will compensate the student. There is no time limit, no hurry whatever,
the sitter will not disappoint or change expression every few minutes.
If a bit does not come right, scrape it out, try again, and again.
Attack the main object first, the jug or pot that makes the picture,
and keep drawing and modeling that. If it comes against the background,
study the background at the same time, search for the amount of light
it contains, heighten the lights as much as possible, they will tone
down fast enough, pay no attention to manner of brushwork, state facts
and look out for drawing all the time."
The entire article is excellent and you can read it here at the Emil
Carlsen Archives: "On Still Life Painting
" by Emil
Carlsen.
Emil Carlsen, Still Life with Fish, oil on canvas, 1897
Emil Carlsen, Still Life with Fish, oil on canvas, 1897
Emil Carlsen, Ming Vases (and Ginger Jar), 1931
Emil Carlsen, Ming Vases (and Ginger Jar), 1931
Emil Carlsen, Still Life with Green Pitcher, oil on panel, 1905
Emil Carlsen, Still Life with Green Pitcher, oil on panel, 1905
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